Speechless Without Writers

Here's one of the clever videos from speechlesswithoutwriters.com, which is affiliated with United Hollywood. Fear not, I am still watching non-strike related entertainment. 30 Rock is rocking my world, Jeremy Darling is my new TV boyfriend, Friday Night Lights keeps breaking my heart in the best possible ways (Buddy and Santiago under one roof? I can barely stand how much I love and fear the possibilities) and Grey's Anatomy has worked its way back into my good graces.

Speaking of Grey's... What's with all of ABC's amnesiacs? Karev's Ava, Samantha Who?, Patrick on Men in Trees, Alexis on Ugly Betty. And last season, Desperate Housewives' sexy plumber had a case of the who-the-hell-am-I's. If you jump networks, you've got Milo Ventimiglia doing his blank slate schtick on Heroes and Joss Whedon's upcoming Dollhouse with a perpetually mind-wiped Eliza Dushku. Massive brain traumas are hella prevalent, y'all.

30 Rock got renewed!

So raise a glass to NBC and try to forgive them for the Black Donnellys. Which, by the way, has been officially cancelled.

Vada v. Lemon

Look who grew out of her awkward stage! It took me until the scene where Liz fired her rival for Jason Sudeikis' affection to realize that Other Liz is a very grown up Anna Chlumsky. Weird.

The stuff with Nathan Lane as Jack's estranged brother was fairly predictable, but funny. And it was nice to see more about Jack's oddball background. All in all, a uniformly excellent episode, which is pretty standard for 30 Rock. If you're not watching because of Grey's Anatomy, check it out online at NBC.com.

Unsolicited Golden Globe Opinions

The Golden Globe nominations have been announced and now it’s time to examine the Hollywood Foreign Press Association’s silly little ideas of TV excellence (Sarah Paulson? I’d laugh if I got the joke).

DRAMA
My pick of the nominees: Big Love. It’s compelling and interesting. Its exploration of family life and plural marriage is at once deeply familiar and completely foreign.

Overlooked: I love Veronica Mars, but if I have to pick one, I’d say Friday Night Lights. This show appeals to a much broader demographic than VM and the fact that it’s not appointment viewing for more people is a shame. Degrassi may have bogarted the expression, but FNL really does go there.

ACTRESS (DRAMA)
My pick: Kyra Sedgwick. I love The Closer and though the rest of the cast is uniformly excellent, I can’t take my eyes off Sedgwick.

Overlooked: Kristen Bell for Veronica Mars. Lead actresses on critically acclaimed teen shows have been recognized by the HFPA in the past (Keri Russell for Felicity, Amber Tamblyn for Joan of Arcadia), so why does KB keep getting snubbed? She’s the heart of one of the most compelling and entertaining shows on TV and she deserves some props.

ACTOR (DRAMA)
My pick: Bill Paxton. As a thoroughly modern polygamist patriarch, he manages to make me sympathize with someone I would normally find fairly abhorrent. Beyond the foreign concept of his life style, he is simply a father, husband and son stretched to the very limit.

Overlooked: Kyle Chandler for Friday Night Lights. From the accent to the demeanor, everything about the way Chandler inhabits Coach Taylor is dead on.

MUSICAL OR COMEDY
My pick: The Office. I laugh, I squirm, I tune in week after week and am rarely disappointed.

Overlooked: Old school multi-camera sitcoms aren’t dead. Seriously, just ask How I Met Your Mother. While you’re at it, ask why Desperate Housewives stole their Golden Globe nomination.

ACTRESS (COMEDY OR MUSICAL)
My pick: Mary-Louise Parker is spectacular on Weeds, but despite the show’s comedy label, she gives what I would dub a dramatic performance. That said, I would give the trophy to America Ferrera for her effervescent turn on Ugly Betty.

Overlooked: Anne Heche for Men in Trees.

ACTOR (COMEDY OR MUSICAL)
My pick: Alec Baldwin is beyond brilliant on 30 Rock. His sly turn as a corporate stiff among creative bafoons makes me thank God he's not being wasted on something higher brow like Studio 60.

Overlooked: John Krasinski for The Office. Steve Carell is great, but the most affecting performance has been Krasinski’s and after taking the reins for the Stamford portions of the show, he has graduated from supporting character to capable leading man.

SUPPORTING ACTRESS
My pick: Elizabeth Perkins is black comedy gold (would that make her comedy oil?) on Weeds. She’s awesome as a thorny (and horny) cancer survivor whose family and community at large kind of hate her.

Overlooked: Ginnifer Goodwin, Chloe Sevigny and Jeanne Tripplehorn for Big Love. Without the perfect combination of spouses, Bill Paxton’s performance would be nothing.

SUPPORTING ACTOR
My pick: Justin Kirk for Weeds. Completely overlooked by the HFPA for his performance in Angels in America, it’s about time he get some recognition for being so dead-pan awesome.

Overlooked: Neil Patrick Harris for How I Met Your Mother. He’s easily my favorite part of a damn fine show and Harris has proven that his hilarious cameo in Harold and Kumar was no fluke.

30 Rock: Tracy Does Conan

A Nickleback loving beeper king love interest, a near-stabbing on a late night talk show, a seemingly magical hair piece and Alec Mother Scratching Baldwin? There's nothing about this show I don't love. Except when Tina doesn't wear her glasses and it throws off my equilibrium.

Attack of the kickass guest stars!

I was excited about the return of Men in Trees (shut up, it's good), but I was pretty distracted after seeing Justine Bateman's name in the opening credits. I kept looking at the brunette regulars and thinking, "That's not Justine Bateman" and then questioning my own actor-recognition prowess. Then at the last minute she shows up as the bitch who broke Jack's heart. Just in time to screw up Jack and Marin's budding love! I do love a formidable opponent for affection. It's no fun when one side of the love triangle is a Duncan (was that mean?).

Earlier in the evening Kadeem Hardison (or as we all know him Dwayne Wayne) and Dean Winters (my favorite Irish sociopath on Oz) showed up on My Name is Earl and 30 Rock, respectively. Hardison was underused as a guy who turned Earl onto an illegal betting ring, but Winters was awesome as Tina Fey's on-again/off-again boyfriend, who by virtue of being the only retailer left, is the Beeper King of New York. Since he turned her attempt to dump him into an invitation to move in, it looks like we'll be seeing more of Ryan O'Reily, er... The Beeper King.