Speechless Without Writers

Here's one of the clever videos from speechlesswithoutwriters.com, which is affiliated with United Hollywood. Fear not, I am still watching non-strike related entertainment. 30 Rock is rocking my world, Jeremy Darling is my new TV boyfriend, Friday Night Lights keeps breaking my heart in the best possible ways (Buddy and Santiago under one roof? I can barely stand how much I love and fear the possibilities) and Grey's Anatomy has worked its way back into my good graces.

Speaking of Grey's... What's with all of ABC's amnesiacs? Karev's Ava, Samantha Who?, Patrick on Men in Trees, Alexis on Ugly Betty. And last season, Desperate Housewives' sexy plumber had a case of the who-the-hell-am-I's. If you jump networks, you've got Milo Ventimiglia doing his blank slate schtick on Heroes and Joss Whedon's upcoming Dollhouse with a perpetually mind-wiped Eliza Dushku. Massive brain traumas are hella prevalent, y'all.

Overthinking TV

So I was watching Greek the other day, enjoying a fun episode about date parties and sex, and I noticed nods to both Grey’s Anatomy and Ugly Betty. Not surprising since they’re both on ABC, Greek’s parent channel. What struck me as strange was that Grey’s Anatomy was referenced as a show that the characters watch, while Mode, Ugly Betty’s employer, was referenced as a magazine that everyone reads. Following that logic, Ugly Betty and Greek exist in the same universe. Spencer could be Betty’s summer intern. Zaniness could ensue.

Over on The N, things get even stickier. Aubrey Graham and Stacey Farber of Degrassi appeared as themselves on an episode of Instant Star. So in the universe of Instant Star, Degrassi is a popular Canadian show. But on a recent episode of Degrassi, the characters were singing a Jude Harrison song at Karaoke. So in the universe of Degrassi, Jude’s a rockstar. Logically those scenarios should negate one another and the Epitome Pictures back lot should implode, leaving a blackhole in the middle of Toronto. Though logically, I shouldn’t think this deeply about a show that isn't Lost.

We've got a lot to discuss...

I've had a busy couple of weeks, but never fear, I've still got my priorities straight and I've made time for TV via Tivo and the internet. Let's start with VERONICA MARS. Veronica, Studio 60 called and they want that preachy sermon back. I did, however, enjoy the 15 minutes that were devoted to Logan and Parker's functional relationship and Piz mustering the balls to make a move. Finally!

Speaking of Piz, apparently he works out, as witnessed by his buff turn on GREY'S ANATOMY. The spin-off has possibilities although if any man ever said, "I'm going to kiss you. With tongue. So you feel it," to me in an empty stair well, he'd be getting a knee to the balls for being equal parts creepy and cheesy. You know what kiss was neither creepy nor cheesy? George and Izzy! Am I the only one who's totally on this bandwagon? Cause I LOVE it. Almost as much as I hate McDreamy for his sudden ambivalence about Mere. I'd forgive it if it really had to do with her lack of will to live and not the fact that he wants to further his career. Ass.

I don't talk about it much, but UGLY BETTY is a seriously solid show. Who said Rebecca Romijn as a lonely transgendered ice queen wouldn't play in Middle America? Also on ABC, OCTOBER ROAD. The show is full of holes and silly twists. It pisses me off and yet I watched every damn episode. I actually care about the stupid characters, especially Eddie and Janet. I even like Laura Prepon and she used to bug the hell out of me with her perpetual post punchline smirk on That '70s Show.

Speaking of things that bug the hell out of me... INSTANT STAR'S still flirting with mediocrity. Let's be honest, I think mediocrity has gotten to third base at this point. Here's my thing about the Jude/Jamie/Tommy triangle we're inexplicably revisiting: Jude will never be in love with Jamie. Yes, he's the better guy, but he's not her guy. She invited him on her first tour AFTER Tommy turned her down. She hooked up with him because Tommy was with Sadie. She wrote White Lines about Tommy while she was dating Jamie. It's not really a love triangle, it's a set up for disaster.

Shows I've recently tried on for size: HEROES - last night's episode was a little assy and I'm a bit creeped out by the dynamic between Peter and niece Claire, but I've caught the last few eps and I'm intrigued and looking forward to watching it from the beginning. I'm also eager to get further into WILDFIRE on ABC Family. Yes, I love shows aimed at tweens, but this one's really good. I'd caught episodes before, but now several eps at a time are available on abcfamily.com. Ever wonder what happened to Degrassi's school shooter? He's on an ABC Family show called Falcon Beach. It's pretty unwatchable, but Degrassi will be back (sans Rick, of course) this summer.

Oh and last night's HOW I MET YOUR MOTHER was super cute. That's all I've got for now.

The Ugly Betty Bandwagon

There's a horrible, mean part of my soul that takes pride in the fact that I love Veronica Mars, but not Heroes. And Friday Night Lights, but not American Idol. It's true, I'm a big fat snob and I love bitching about how the public in general is too dense to pick up on what’s really good on TV.

But once in a while there's a really popular show that isn't totally overrated. Ugly Betty's one of those rarities. America Ferrera deserves that Golden Globe and I'd happily hand her the Emmy too. And she isn't the only thing great about the show. The supporting cast is uniformly fantastic. Wilhelmina, Amanda and Marc mince through Mode, balancing precariously on the tightrope between hilarity and cartoonish pandering without ever falling into the latter. Betty's family is poignant and plucky. And the show's message is simply that we should accept one another for who we are, no matter our color, sexual orientation, socio-economic status, gender or sense of style. That's something even a bitch like me can get behind.

Alternative Viewing Update

Men in Trees in now available online at abc.com! So far it's just the pilot and the last episodes, but with shows like What About Brian? offering the full season, let's hope they'll add more soon. As the owner of a persnickety tivo, I've made it my business to know the following:


The-N.com offers new episodes of Degrassi and Instant Star.

NBC.com shows select series. Ratings challenged Friday Night Lights is available, but The Office is not.

CBS.com uses InnerTube to show comedies like How I Met Your Mother and The Class. The player doesn't work on my mac, but seems to be compatible with PCs.

ABC.com offers Ugly Betty, Grey's Anatomy, Knights of Prosperity and several other shows.

YouTube and Google Video are hit and miss when looking for entire episodes, but using them I watched the full first season of The IT Crowd and the series finale of Everwood (what? I had to make sure they'd get a happy ending).

Unsolicited Golden Globe Opinions

The Golden Globe nominations have been announced and now it’s time to examine the Hollywood Foreign Press Association’s silly little ideas of TV excellence (Sarah Paulson? I’d laugh if I got the joke).

DRAMA
My pick of the nominees: Big Love. It’s compelling and interesting. Its exploration of family life and plural marriage is at once deeply familiar and completely foreign.

Overlooked: I love Veronica Mars, but if I have to pick one, I’d say Friday Night Lights. This show appeals to a much broader demographic than VM and the fact that it’s not appointment viewing for more people is a shame. Degrassi may have bogarted the expression, but FNL really does go there.

ACTRESS (DRAMA)
My pick: Kyra Sedgwick. I love The Closer and though the rest of the cast is uniformly excellent, I can’t take my eyes off Sedgwick.

Overlooked: Kristen Bell for Veronica Mars. Lead actresses on critically acclaimed teen shows have been recognized by the HFPA in the past (Keri Russell for Felicity, Amber Tamblyn for Joan of Arcadia), so why does KB keep getting snubbed? She’s the heart of one of the most compelling and entertaining shows on TV and she deserves some props.

ACTOR (DRAMA)
My pick: Bill Paxton. As a thoroughly modern polygamist patriarch, he manages to make me sympathize with someone I would normally find fairly abhorrent. Beyond the foreign concept of his life style, he is simply a father, husband and son stretched to the very limit.

Overlooked: Kyle Chandler for Friday Night Lights. From the accent to the demeanor, everything about the way Chandler inhabits Coach Taylor is dead on.

MUSICAL OR COMEDY
My pick: The Office. I laugh, I squirm, I tune in week after week and am rarely disappointed.

Overlooked: Old school multi-camera sitcoms aren’t dead. Seriously, just ask How I Met Your Mother. While you’re at it, ask why Desperate Housewives stole their Golden Globe nomination.

ACTRESS (COMEDY OR MUSICAL)
My pick: Mary-Louise Parker is spectacular on Weeds, but despite the show’s comedy label, she gives what I would dub a dramatic performance. That said, I would give the trophy to America Ferrera for her effervescent turn on Ugly Betty.

Overlooked: Anne Heche for Men in Trees.

ACTOR (COMEDY OR MUSICAL)
My pick: Alec Baldwin is beyond brilliant on 30 Rock. His sly turn as a corporate stiff among creative bafoons makes me thank God he's not being wasted on something higher brow like Studio 60.

Overlooked: John Krasinski for The Office. Steve Carell is great, but the most affecting performance has been Krasinski’s and after taking the reins for the Stamford portions of the show, he has graduated from supporting character to capable leading man.

SUPPORTING ACTRESS
My pick: Elizabeth Perkins is black comedy gold (would that make her comedy oil?) on Weeds. She’s awesome as a thorny (and horny) cancer survivor whose family and community at large kind of hate her.

Overlooked: Ginnifer Goodwin, Chloe Sevigny and Jeanne Tripplehorn for Big Love. Without the perfect combination of spouses, Bill Paxton’s performance would be nothing.

SUPPORTING ACTOR
My pick: Justin Kirk for Weeds. Completely overlooked by the HFPA for his performance in Angels in America, it’s about time he get some recognition for being so dead-pan awesome.

Overlooked: Neil Patrick Harris for How I Met Your Mother. He’s easily my favorite part of a damn fine show and Harris has proven that his hilarious cameo in Harold and Kumar was no fluke.

Dear Eric Mabius...

I used to really dislike you. I first remember seeing you play a closeted high school football player in Cruel Intentions. Yawn. Plus, you were like 28 and that struck me as a little pathetic. And then I guess you were in some other things like The L Word and some horror movies or something. You kind of fell off my radar until you played an ass on Eyes, but the show didn’t really capture my attention, so whatever. But then there was The OC. I was pretty ambivalent about you until you started playing Harbor's Evil East Coast Dean of Discipline. Haaaaaaaaaaaaaaaate.

I mean, by all righs we should have been cool with one another, "the enemy of my enemy" and all that. But while I wanted Marissa to be a fully formed character, you wanted her to be punished for stopping the violent, drug-addled ex-con who tried to RAPE her from murdering her boyfriend. My rage at this ridiculous plot point was blinding and now I see that it was misplaced. I should have been directing a little more of it towards the people who created the stupid and completely unrealistic (no, not in a good way) character.

I say all this because in your current role as Mode Magazine Editor-in-Chief Daniel Meade on Ugly Betty you are not only charming and handsome, but also endearing and sympathetic. I take back all of the eye rolling and TV yelling that was directed at you in the past. You, sir, have chipped away at some unknown part of my being that has a soft spot for Poor Little Rich Playboys. Well played, Eric Mabius, well played.

xoxo
SC

Ugly Betty, Weeds, The IT Crowd

The lack of Friday Night Lights and Veronica Mars last night gave me a chance to reflect on some of the shows I’ve been watching outside of primetime.

Ugly Betty is pretty awesome. The show’s available online at abc.com so I generally watch it on Saturday morning, when it’s not interfering with The Office and the Chef and the Subletter are watching football. America Ferrera is so lovely as Betty that I love her in spite of her complete earnestness. I generally prefer my heroines with a shot of sour bitch (see: Veronica Mars, Wonderfalls and Dead Like Me), but her poise and winning attitude in a world of fembots is refreshing. Plus Amanda and Marc fill my bitch quotient quite nicely.

The second season of Weeds may be finished on Showtime, but I’m only about halfway through. What was initially a black comedy about keeping up appearances in suburbia has been pervaded by a sense of dread. Silas sabotaging a condom to better insure that his girlfriend can’t leave him broke my heart and made me nauseated all at once. And as Nancy gets deeper into her position as a grower and her relationship with her DEA agent husband of convenience, I can’t help thinking of Heylia as the Cassandra who saw it all coming. Weeds is, in a word, compelling.

The IT Crowd… I’m still not sure if I’m supposed to pronounce it as “I.T.” or “it,” but it’s a strangely enjoyable show from the UK about the nerdy tech department of a major corporation. Though it’s set to be adapted by NBC for the US, it’s has more in common with the Fred Savage sitcom Working than with The Office. It’s over the top, surreal and pretty dead-on in its satirical portrayal of socially awkward smart people. You can find episodes online through Google Video. If asked to cast the American version, I'd go with Dave Foley (or any of the Kids in the Hall) as the blowhard boss and Christina Hendricks (Saffron from Firefly) as Jen. Ooh! And the older Pete from Pete and Pete as Roy. You know, just in case anyone cares.