
Fox cancelled Drive. Who had two weeks in the pool?

Her portrayal of a Nina on The Riches is just spectacular. She's a loose cannon in the guise of a PTA mom, a sunny exterior with the twitchy interior of an addict. I love it. Some of the lines she's given are of the Look-How-Shocking-Suburbia-Is! variety, musing that abusing PRESCRIPTION pills it's a big deal and telling a virtual stranger that she and her husband haven't had sex in 5 year, but Martindale pulls it off effortlessly with a deep laugh and some of the deadest eyes I've ever seen.
Ah, remember the good ol' days, when the only thing keeping Tommy and Jude apart were those pesky statutory rape laws? Now she's 18 and to keep everyone's favorite (Canadian) starcrossed lovers apart, the writers have come up with...Hunter. Fresh from prison (where I'm sure his male model looks made him quite popular), he's shown up to seek revenge on Tommy because "revenge is the best revenge." I'm gonna go ahead and guess that Hunter didn't earn a degree in English while behind bars.
Her jazzy rendition of Tommy's new song tips off Hunter (and the rest of the room) to the Celine et Rene dynamic of their relationship. Desperate to protect Jude, Tommy tells her (in front of her friends, family and the press) that she’s drunk and making a fool of herself. Jude proves how far she’s come since her similarly humiliating Sweet 16 by brushing him off and pretending the song was for her dad, which would actually be super creepy, but whatev.
This weekend I had the opportunity to watch a VHS copy of School's Out, the TV movie that concluded the original Degrassi High series. In stark contrast to shows like The OC and Dawson's Creek, which both went out on impossibly happily ever after notes ("Summer and Seth got married!" "Jen's dead!"), School's Out really stayed true to its roots and went out on a huge downer.
When I was in junior high, someone was genius enough to turn Stephen King's The Stand into an epic six-hour mini-series. This weekend, Sci-Fi was genius enough to air it in its entirety. Luckily I didn't know this 'til AFTER I gotten several errands out of the way. Otherwise I'd have spent all of my Sunday on the couch, ignoring the laundry and soaking in the goodness that is The Stand.
Released during the heyday of the mini-series (other choice examples from the era include Queen and Oklahoma Passage), this one was particularly influential. First, it inspired me to read King's 1100+ page book. Second, it convinced me to get an ill-advised bob like Molly Ringwald's. Third, it caused me to daydream constantly about Gary Sinise. In defense of my 12 year-old self, this was pre-Lt. Dan and he's both talented and smokin' hot.
Last night's episode of Friday Night Lights was outstanding television. It wasn't the series best, but it was purt near close. In a perfect world, we'd have gotten two episodes at State and ended the first one right after the half. As it was, I felt like they tried to squeeze just a bit too much in. For example, I could have done without Lyla and Tyra's ending reconciliation. That, on top of Lyla dumping her cheerleading gear, felt forced. Sure, their earlier interaction with the car and the mutual understanding (and the look on Tyra’s face as she realized Street could cheat) was great, but I really don't need them to be BFF.
Despite the intrusive media narration (something from the pilot that I didn't miss during the rest of the series), the show was on top of its game. Jason Street seeing his parents in the stands right after his team won state? What a perfect mix of joy for the present and heartache for the past. The Taylor's argument over whether or not Eric will take the job at TMU? I wouldn't have bought it from a lesser show. And poor Matt Saracen lugging around all that anger about Coach's perceived betrayal? Their hug on the field made up for the slightly lame slow clap later in the locker room. Also, I'm pretty sure he told Coach he loved him, which is maybe the sweetest damn thing ever to be recorded for posterity.
I've scooped my brain back into my head and I'm slowly regaining the ability to think about things other the final five (now down to possibly one) and whether Starbuck's real or just in Apollo's head the way Six and Baltar are in one another’s.
You know what's pitch perfect about Friday Night Lights? I know, pretty much everything, but today, let’s get specific. The show embraces foibles and unpolished speech patterns in a way that makes me feel like I’m sitting at the Taylor’s kitchen table and they’re not actors or characters, but honest-to-God citizens of Dillon, TX. Blessing and Snarking Television and other Projected Media since 1255